John Berger’s statement, “I don’t know, for everything takes place where there are no words,” highlights the gaps that exist between emotions and thoughts beyond the limits of language. These gaps allow new dialogues to emerge in spaces where expression cannot reach, constructing their own fictional realms and gaining an organic quality. Rather than pursuing perfection, expression develops through improvisational actions that arise within the process.

The dialogue established with the material materializes as a reflection of emotions and conscious or unconscious influences present in a given moment. These instantaneous conditions shape the work as experiential states, and the resulting piece carries an unrepeatable quality as a manifestation of that specific moment. Such processes provoke inquiries into the contrasts between the natural and the artificial. Voids and filled spaces become independent components that constitute their own spatiality. Improvisation grants these components a unique spatial character while opening a new field of inquiry through the concepts of void and process.